|
 |
Fall
2010 |
|
President's
Message
Recently
I had the opportunity to review Bruce Dethlefesen’s breather and
Karla Huston’s An Inventory of Lost Things for Verse Wisconsin. Huston’s
collection opens with a quotation from Philip Larkin’s “High Windows”, which
got me to thinking about differences between that worthy English poet’s work
and the worthy work of Huston and Dethlefsen.
Certainly
I’ve loved Larkin’s verse
ever since stumbling across “Days” in
college. I’d note that there are few things more pleasurable than
reading aloud
“The Whitsun Weddings”, the way it picks up steam, chugs along
through images from English farms and towns, and finally slows
to an end, following the poet’s
train ride across the countryside to end in London. And to be honest,
in “Sunny
Prestatyn” I always choke at the line “She was too good for this
world,” even
though “she” is simply an image on a billboard advertising a holiday
camp. Of course, I also admire the subtle composition of this poem—so
subtle one has to read it specifically for structure to notice
those masterful end rhymes.
All
that having been said, I do eventually tire of Larkin’s nearly
unrelenting dreariness. Although his verse demonstrates the continual
liveliness of a master’s
artistry, the mood conveyed is universally weary. Larkin’s sophisticated
ennui simply cannot allow itself relief from sadness. (Larkin said
he wrote sad poems because he believed most people are sad.) Even
at his lightest, Larkin is bitingly sardonic.
Reading
Dethlefsen and Huston in this context, I was suddenly struck
with how differently Midwestern poets such as these two convey
sadness. Neither Dethlefsen nor Huston shy away from pain or
grief. Much of their work is specifically about the disconnect
between people, the hurts we inflect upon one another, the ways
in which negative emotions can swamp us. What’s more, these
poets communicate those emotions frankly, genuinely, and artistically.
But unlike Larkin, they cannot help but to hope, it seems. That
is to say, much of their verse is playful. Sometimes their language
simply laughs. And those moments of humor are infectious—the honest
grin rather than the wry, self-conscious smile of the
“sophisticate.”
This,
I suspect, is a gift creatives from the heartland of any nation
can offer to the world-weary intellects of the coastal cities.
If we pledge ourselves to weep frankly and to laugh genuinely—in
equal measure—perhaps we may break
through the artificial shell of sophisticated ennui, and make a
truly human connection with our readers.
Sincerely,
Les |
|
|
Next deadline: August
6, 2010
Send Museletter contributions to the Editor:
Christine Falk
9556 Upper 205th Street West
Lakeville, MN 55044
(952) 985-5375
thefalks@frontiernet.net
SEND
US YOUR E-MAIL ADDRESS if you haven't already, so we can update
the WFoP database. Your address will only be used for communication
among members.
Museletter
Delivery Options
To read or download the Museletter from our website,
check the Museletter web page (this one) quarterly, or request e-mail notice. By choosing the e-mail option, members will be removed from
the bulk-mail list and will not receive a hard copy of the Museletter
(but can download and print it themselves). This will provide
fastest delivery, at a significant savings to the Fellowship.
Members may also opt to receive the Museletter
by first-class mail rather than bulk mail. There is no charge
to members, but this will increase mailing costs to the Fellowship.
Notify the Museletter editor
if you wish to exercise one of these options. The "default"
delivery method will be bulk mail. |
Membership
List Available
Fellowship members are entitled to receive a list of members at
a cost of $2.00 to cover postage. Please send cash
or check payable to Chris Falk. Receiving the list
via e-mail is free. E-mailed lists will be sent as a .pdf which
requires Adobe Reader, available as a free download from www.adobe.com.
In order to receive the list, members must now sign the agreement and
submit it with each request (copy and paste to e-mail it). |
|
Welcome
to the following new members who have joined since the last Museletter
issue:
Marilyn
Annucci
|
Madison |
| Phyllis
Beckman |
Onalaska |
| Ross
Boone |
Twin
Lakes
|
| J.
Roderick Clark |
Cambridge |
| Reva
Schlonsky |
Glendale |
New
member inquiries should be directed to Gillian Nevers, the Membership Chair, at 2022 Jefferson Street, Madison, WI 53711, (608)255-5080, nevers@wisc.edu. Join us!
Remember:
If you
move or change your e-mail address, please notify the Museletter editor.
Bulk mail is not forwarded, so you will not receive
your Museletters. E-mail is the only way members are notified
of Museletter deadlines.
Keep
Your E-mail Info Up-to-Date
In
recent years, e-mail communications have increased within the
WFOP membership. The list of e-mail addresses is kept in the
main membership database. On occasion, announcements are e-mailed
to the entire membership. Each time this happens, some e-mails
get bounced back to the sender. The main reason this occurs
is that the database manager has not been notified that an
e-mail address has changed. If you have not received e-mails
from the WFOP in recent months, most likely we do not have
your most recent address. If you change your e-mail address,
please contact Chris Falk at thefalks@frontiernet.net and let
her know of the change so it can be corrected in the membership
database. This will ensure that you receive all electronic
correspondences. |
|
Wisconsin Poet
Laureate Marilyn
Taylor—2010 Calendar of Events
August
25, 2010 - Reading, Governor's Residence Garden Party, Madison.
September 11, 2010 - Reading participant, Foot of the Lake Collective, Fond du
Lac.
September 12–17, 2010 - Workshop facilitator: Lawrence University's Bjorklunden
Seminar Center, Baileys Harbor. Enrollment is now closed.
September 26, 2010. 10:45 a.m. - Presentation, Wisconsin Regional Writers Assn.
Fall Conference, Madison.
October 1, 2010. 5:30 p.m. - Reading w/ Bruce Dethlefsen, Karla Huston, Richard
Roe & David Scheler, Wisconsin Book Festival, Overture Center, Madison
October 7, 2010. 7:00 p.m. - Reading, the University of Wisconsin-Milwaukee.
The Hefter Conference Center, 3271 North Lake Drive, Milwaukee.
October 10–15, 2010 - Workshop facilitator: Lawrence University's Bjorklunden
Seminar Center, Baileys Harbor. Enrollment is still open at lawrence.edu/dept/bjork/bjorkseminars/course.shtml
October 23, 2010 - Workshop facilitator, AllWriters Workplace "Celebrity
Saturday", Waukesha.
November 3, 2010, 7 p.m. - Benefit reading: Villa Terrace Decorative Arts Museum,
2220 N. Terrace Avenue, Milwaukee.
November 11, 2010 - Presentation and reading, Fond du Lac Roundtable, Fond du
Lac. |
|
What's
Happening in Your Region?
Central-Fox
Valley Region
Bill Gillard, Central-Fox Valley Regional VP
1478 Midway Road
Menasha, WI 54952-1224
bill.gillard@uwc.edu
Cathryn
Cofell’s poetry was accepted
or published by New York Quarterly,
North American Review, and Qarrtsiluni, and by Rhino and
Slipstream Press in collaboration with Michael Kriesel. A
poetry exercise was accepted by Dos
Gatos Press in collaboration with Karla
Huston, an essay published in Verse
Wisconsin, and a poem appeared on the
Your Daily Poem website. Cathryn read
at the Bergstrom Mahler Museum’s Art
Festival and at Harmony Café to the
music of Obvious Dog (aka Bruce
Dethlefsen and Bill Orth) from their
newly released CD Lip.
Jean
Biegun had poems in Verse Wisconsin (summer print issue),
Wisconsin DNR 2010-11 Calendar, and
forthcoming in Goose River Anthology 2010.
East
Region
Janet Leahy, East Regional Co-VP
13480 W. Fountain Drive
New Berlin, WI 53151-3968
leahyja@earthlink.net
|
Carolyn Vargo, East Regional Co-VP
6147 West Stack Circle
Milwaukee, WI 53219-3054
vargocj@execpc.com |
The Wisconsin
Library Association named Margaret Rozga’s book 200
Nights and One Day an outstanding
achievement in poetry for 2009.
Jane
Kocmoud has a poem, "The
Assumption” published in the July online
issue of Verse Wisconsin. Her haiku
“apple-red berries” will appear in the
fall issue of The Aurorean.
Members of
The Poetry People of Waukesha presented a program of poetry
at Bookfest held at UW-Waukesha in
June. Participants were: Paula
Anderson, Barbara Bach-Wiig, Jo
Balistreri, Katy Phillips, and Ginny
Scholtz.
Karen
Kerans, Janet Leahy, and
Katy Phillips had poems accepted for
the 75th anniversary celebration of The
Clearing in Door County. Their poems
will be on exhibit at The Clearing through
summer of 2011. Janet also read at the
Olbrich Garden Poetry Marathon in June.
submitted
by Janet Leahy and Carolyn Vargo, East Regional Co-VPs
CJ Muchhala has
poems published or forthcoming in Sacred Journey,
Summer 2010, the 2011 Wisconsin
Poets’ Calendar, and the fall issue of
Verse Wisconsin online.
P.C.
Moorehead has six poems displayed in the ekphrastic poetry
exhibition, “Juxtaposition”, now
showing through September at the
Merton Town Hall Library in North Lake.
The poems accompany six watercolor
paintings of flowers by Teri Peterson,
owner of the Lakes Gallery of Fine Arts
in North Lake. Ekphrastic poetry gives
the writer’s interpretation of a work of
art, as well as the poet’s reaction to the
art. The Merton Town Hall Library is
close to the junction of Highways VV
and 83 in North Lake.
P.C. Moorehead had five poems
published in Empty Shoes: Poems on the
Hungry and Homeless, an anthology
published by Popcorn Press in 2009, and
a poem of hers appeared in the Spring-Summer
2010 edition of Echoes. Her poems have also appeared in the Spring
2010 Museletter and in the 2011
Wisconsin Poets’ Calendar. A short
story of hers appears in the Goose River
Anthology 2010.
Sr.
Irene Zimmerman was awarded Third Place for Best Original Poetry
2010 by the Catholic Press Association
of the United States and Canada for her
poem “Pieta”, which was published in
St. Anthony Messenger. Her poem
“Gamble” recently appeared in Review
for Religious.
Mid-Central
Region
Joan
Johannes, Mid-Central Regional VP
800 Ver Bunker Avenue
Port Edwards, WI 54469
joanjeff@wctc.net
Northeast
Region
Sarah Rose Thomas, Northeast Regional VP
970 School Place
Green Bay, WI 54303
psychopsychosarah@yahoo.com
Ralph
Murre’s poem, “What is
Given” was featured on June 21st on yourdailypoem.com.
It is available in the archives. Ralph’s third
book, The Price of Gravity, is now
available from Auk Ward Editions. He
gave a reading from his new book as part
of the Dickinson Poetry Series on August
11th at the Unitarian Universalist
Fellowship in Ephraim.
Northwest
Region
Jan
Chronister, Northwest Regional VP
3931 S. County Road O
Maple, WI 54854
janchronister@yahoo.com
C. Dahlen had
a poem appear in the Summer issue of the online journal The
Road Not Taken: A Journal of Formal
Poetry.
Ann
M. Penton of Sarona, WI, and Green Valley AZ, participated in
two poetry classes at School of the Arts in
Rhinelander, WI, this July. Earlier this
year she attended a weekend poetry
workshop in Tubac, AZ and was one of
the poets and book sellers at a public
poetry reading in Green Valley at the
conclusion of a poetry course. Some of
her work was included in a newsletter
and in a book of poetry by members of
the Unitarian Universalist Congregation
of Green Valley.
South Region
Frank
Konieska, South Regional VP
3633 Honey Creek Rd.
Burlington, WI 53105
konieska@tds.net
South-Central
Region
James
Roberts, South-Central Regional VP
324 Kedzie Street #30
Madison, WI 53704
jrob52162@aol.com
Hello? Hello?
Is this the WFOP Hotline? Help! This is an emergency.
Our poets are not sending in their news!
My mailbox is lonely. Something may
happen! Here are the details....
Peg
Sherry takes
me to task for not including mention of her first-place
victory in the Bo Carter Waukesha
Writer’s Contest. Congratulations, Peg.
And if I forget again, you can unpin my
sheriff’s star and pin it where it truly
belongs.
Yvonne
Yahnke sends some interesting news: a tanzaku poem of hers
was accepted and hung on a tree in a
Phoenix project in May. The name of the
park is Encanto and this is done every
spring. (hmmm ... there’s an idea for a
WFOP project.)
May 13th saw
two readings occurring almost simultaneously. Miriam Hall read
poems from both old and new work at A
Room Of One’s Own in Madison beginning
at 6:30. At 7:00, Robin Chapman and R.
Virgil Ellis joined Marilyn Taylor at a
reading at Avol’s Bookstore. Your obedient
servant managed to make it to both
readings, albeit he missed much of the
Avol’s shindig.
The Dane County
Youth Poetry Festival was held on May 14th at Memorial High
School in Madison. Richard Roe, Andrea
Musher, and Fabu joined host Bill
Rodriguez in honoring area high school
writers.
James
P. Roberts participated in the Sauk County Young Writer’s Workshop
held on the UW–Baraboo campus on May
20th.
Sarah
Busse read with Robert Schuler at Avol’s on May 23rd.
James
P. Roberts and Kimberly Blanchette read their poetry as part of
“Chocolate and Sin: Words With A Sweeter
Taste” during the WisCon science fiction
convention held in Madison on May 31st.
June 13th brought
the 18th Annual WFOP Invitational Poetry Marathon at
Olbrich Gardens. South-Central region
members who participated were David
Steingass, Fran Rall, Richard Swanson, and Jeanie Tomasko. Jeanie Tomasko
reported that she had spent time earlier in
the day with WFOP poet Shelley Hall who
was taken off life support and passed away
later in the evening.
The Regent Street
Neighborhood Poetry group continues to meet quarterly.
Catherine Jagoe facilitated the summer
meeting on June 14th.
R. Virgil
Ellis and Russell Gardner, accompanied by local musicians Angela
Smith and Tom Zografi, gave a multimedia
reading and presentation at Avol’s
bookstore on June 17th.
F.J.
Bergmann typed extemporaneous poems for Cold Read, a
live performance with Tom Ferella's polaroids,
exhibited as part of “Wordplay” at the Kohler Arts Center in
Sheboygan, on June 27th and July 26.
Katrin
Talbot (St. Cecelia’s Daze) and
Lisa Marie Brodsky (We Nod Our Dark
Heads) read from their works at Avol’s
Bookstore on July 22nd.
Russell
Gardner put together an art-and-poetry exhibit called “The Art
of Human Behavior.” A public reception
was held on August 5th at the Pyle Center
in Madison, home of the exhibit, which
ran until August 14th. Poets included
were Marilyn Annucci, Gillian Nevers,
Fran Rall, Ron Ellis, Andrea Potos,
Richard Roe, and Shoshauna Shy.
James
P. Roberts had a poem,
“Encounter on Route 66” accepted by
Verse Wisconsin for their Fall 2010 “On
The Road” issue.
Kimberly
Blanchette has her photographs, “The Doors of Wisconsin”
displayed on the cover of the digital
version of Whitewater Press. Such
decorative doors should inspire some
poems, n’est-ce pas?
Susan
Elbe was
a semi-finalist for the Pablo Neruda Poetry Prize. One poem
from the winning series, “In Which I
Enter, Not the Last Room, But the Hidden
One”, will be published in the Fall issue
of Nimrod International Journal. She
also has a poem online in Ascent,
participated with Lake Effects Poets in a reading at
Sundance Art Gallery in July for
Borderland: where worlds arise out of
touch, and has a review of Barbara
Crooker’s new book, More, online in
Verse Wisconsin. Also, her poem “Safe
Sex” is one of the featured poems in the
Poetry at the Market Project sponsored
by The Foot of the Lake Poetry
Collective.
Until next time...
Submitted by
James P. Roberts, South-Central Regional VP
Shoshauna
Shy had a visual art piece that incorporated a poem titled “Saturday
Night in Cheyenne” that took the 2nd
place ‘Best of Show’ $100 prize in
the ‘Art of Human Behavior’ exhibit.
This was in conjunction with a conference
of The International Society of Human
Ethology on the University of Wisconsin–Madison campus.
F.J.
Bergmann has had poems accepted or published in Aoife’s Kiss,
Apex, Asimov’s, Cabinet des Fées,
Everyday Weirdness, Flurry, GoingDown Swinging, Harpur Palate, Hummingbird, Illumen,
Mythic Delirium, Big Pulp, Opium, the 2010 Rhysling Award Anthology, Reed, Right
Hand Pointing, Space and Time, Strange Horizons, tiny words, Verse Wisconsin, and Weird
Tales, and has won an International Publication Prize in the Atlanta
Review poetry contest. She had an article on genre poetry in the spring issue
of Verse Wisconsin, and exhibited with photographer Tom Ferella in “Word Play” at
the Kohler Art Museum in Sheboygan with Cold Read, an extemporaneous Polaroid-and-typewriter
performance. A Cold Read exhibit opening with refreshments and a short talk in
conjunction with the Wisconsin Book Festival happens Thursday September 30th,
6:30 pm, at Avol’s
Bookstore in Madison. Jeannie taught a summer publishing class for American
College Adventures in Madison, and will also be teaching a number of poetry
workshops at Whispering Woodlands in
Verona, WI, this fall: 9/13–10/4, Mondays, 7–9 pm: Writing Poetry toward Publication;
10/17, Sunday, 1–4 pm: Submitting Poetry and Short Fiction; and 11/13, Saturday,
1- 4 pm: SF, Fantasy, and Horror Poetry.
The Portage
Center for the Arts, Inc. sponsored a garden tour which included Art that
Blooms at the Drury Callery at the Center the last weekend in July. Artists
submitted paintings, sculptures, photographs, which were matched by floral
arrangments by local florists and individuals, and poets wrote ekphrastic poetry
about the various artistic endeavors. All were read to the public as part of
the garden tour. Poets from Writers at the Portage and Pauquette Wordcrafters
participating were Charlotte Clark, Sarah Selah Mautz, and Elayne
Clipper Hanson.
Russell
Gardner, Jr. and R. Virgil Ellis much appreciate
the videos made by Paul Baker that he then put on YouTube.
He accomplished this on June 17th from 7 to 9 p.m. at Avol’s Book Store.
We should point out that the videos available via the links to follow do
not include that R. Virgil Ellis furnished direction for the Gardner sequence
in combination with music; the 16-part poem, “Banville’s
Freddie and His Trip to There” stemmed from summarizing or abstracting each
page of John Banville’s novel, Book of Evidence, into a sequential
line of sonnets. Instruments used included Tom Zogarfi on the West African
djimbe and Angela Smith on bass guitar.
Gardner
Part 1;
Gardner
part 2;
Gardner
part 3;
Gardner part 4;
R. Virgil Ellis
reading (1 part): Ellis first presented three video-poems not
included in YouTube links. Then the same musicians with different instruments
jammed with him in his final two poems of the evening. For this Angela Smith
played guitar and Tom Zografi harmonica.
Daniel
Kunene attended the XIX Festival Internacional de Poesia de Medellin
in Medellin, Colombia, July 4 to 11, 2009. He read poetry mainly in Medellin.
Breakout groups of 4 to 5 were driven to read at outlying towns and villages,
some reached only by a small plane. Opening and closing ceremonies and
readings at a hillside amphitheatre were attended by an estimated 8,000
people. Two of his poems, namely
“Benzeni?” (in Sesotho, English and Spanish) and “Soweto” were published in
Prometeo, Numero 84-85. A 3-day Festival (October 14-16, 2009) at
Southern Illinois University, Carbondale was held to launch Bending the
Bow, An Anthology of African Love Poetry (Editor: Frank M. Chipasula).
It was also a celebration of a new Press, namely The Brown Turtle Press, with
Chipasula as Founding Publisher and Editor. Daniel’s poems “Will You My Dark
Brown Sister” (aka “Dikerama”), “Music
Of The Violin”, “It Is Not The Clouds”, and “Red” were published in Bending
The Bow. Daniel attended VI Internacional de Poesia de Granada, Nicaragua
in Granada, Nicaragua, February 14-to-20, 2010. He read in Granada and outlying
towns. He read also at a Police Academy where some of
the police participated with music and
dancing. Publication of selected poems
will follow.
Daniel read poetry at the Barrymore
Theatre on September 11, 2009, Eve of
the Bob Fest at Sauk County Fair
Grounds. Daniel published a book of
poetry: The Rock at the Corner of My
Heart, (Brown Turtle Press, 2009 [P.O.
Box 44, Makanda, Illinois 62958]) and
My Child! My Child! (Maskew Miller
Longman, Cape Town, 2010), a
translation by Daniel of the Zulu novel
Mntanami! Mntanami!, by Professor
C.L.S. Nyembezi.
West-Central Region
Sandra
Lindow, West-Central Regional VP
320
W. Tyler Avenue
Eau Claire, WI 54701
lindowleaf@yahoo.com
August in the Chippewa Valley has
brought huge crops of green beans. The
hardy hibiscus has just begun to bloom.
Poets and artists have been working hard
to prepare for September’s The Vision
and the Word collaborative show at Eau
Claire’s Phillip’s Memorial Library. The
opening will be September 12th with
followup readings/presentations on the
19th and 26th.
Peg
Lauber’s poem “The Caterer”
appeared in the Spring Verse Wisconsin and her “Land of Geometrics” was
accepted for the spring online “Alternate
Realities.”
David
Blackey’s
poem
“Odessa” appears in the Summer 2010
Verse Wisconsin.
Sandra Lindow’s
poem “Apostles of the Interstate” will
appear in Verse Wisconsin Online.
July 3rd, Sandra Lindow conducted
a poetry workshop at Convergence
Science Fiction Convention in
Bloomington, Minnesota. August 1st,
she also participated in a speculative
poetry reading at Diversicon Science
Fiction Convention in Saint Paul. Her
poem “Nothing Given to a Child Is Ever
Was” was selected for a themed poetry
chapbook that will be published by Inglis
House.
Bruce Taylor’s
poem “Poetry,
Booze, Sex, Music, Love and Death”
appears in the New York Quarterly Vol.
66, “Middle-aged Man Smoking” in the
most recent issue of Light Quarterly. “Our Body” and “In Class Exercise” are
in Verse Wisconsin and are available
online as read by the author in the Verse
Wisconsin Audio Supplement. “A Whole
Day” was featured on Your Daily
Poem and “Saint Bruce” appears with
audio in the winter 2009 issue of Able
Muse.
submitted by
Sandra Lindow, West-Central Regional VP
A submission
of Phyllis Beckman’s
appears in the literary journal Essential Inklings, Summer 2010 published
by The Franciscan Spirituality Center (La Crosse, Wisconsin). The price is
$10.00 and can be ordered from fscenter@fspa.org (extra charge for postage).
The journal celebrates the 25th anniversary of the Franciscan Spirituality
Center.
Patrick
T. Randolph and his wife, Gamze, published a
poetry anthology, Empty
Shoes: Poems on the Hungry and the Homeless. All proceeds are going
to benefit homeless shelters and food
pantries across America. Thus far, $1,203
was donated to Feed America and another
$200 was sent to shelters in cities where
Patrick and Gamze have done readings.
In July, Mary Jo Balistreri, Patrick,
Gamze, and others did a reading at Avol’s
Books in Madison and raised $85 from
book sales. This money was sent to
Wisconsin-based food shelters and
homeless shelters. Randolph also
published poems in The Rockford
Review, Word Riot, Write On!, The Pink
Chameleon, The Sheltered Poet, The
Istanbul Literary Review, Verse
Wisconsin, and Quill and Parchment. His breath poems have been published
in Word Riot.
Verse
Wisconsin Spring
Issue Now Available
Verse Wisconsin 103, the Summer
Issue, is now online! The print issue is making its way to subscribers & contributors
at varying speeds, so go read/see/listen to poems about “Work”
in the meantime & check out these online features: a Lorine
Niedecker poem newly discovered by Sarah Busse, Wendy
Vardaman’s interview with Martín Espada, a round-up of
recent books by younger Wisconsin poets, Nick Lantz’s
Twitter Poetry Project, Marilyn Taylor’s discussion of the
First United Poets Laureate Conference, Laurel Bastian’s
essay “Poetry in Prison,” & Cristina Norcross’s advice on
making poetry events memorable ... plus book reviews, print
contributors’ audio, and Wisconsin Poetry News, available at versewisconsin.org.
A Look
Ahead to the Fall Conference
Our Fall Conference will be held in Stevens
Point Holiday Inn and Conference Center, November 5-7. Our
special events will include a reading and discussion of
web editing by poet Todd Boss and a reading and
workshop by poet and teacher Freya Manfred.
Todd Boss’s poems have appeared in The
Best American Poetry 2010, The New Yorker, Poetry, and on
MPR’s “All Things Considered.” His debut poetry
collection, Yellowrocket, was published in 2008 by W. W.
Norton & Co. Born. He edits the online poetry website,
Flurry, a magazine dedicated to wintry thinking. He was
raised in central Wisconsin and now lives in Saint Paul
with his wife and two children.
Freya Manfred won the 2009 Midwest Booksellers’
Award for Poetry for her sixth collection of poetry,
Swimming with a Hundred-Year-Old Snapping Turtle, reddragonflypress.org/.
Her poems have appeared in over 100 reviews and magazines and over 30
anthologies. Poet Robert Bly says: “What I like about
Freya’s poems is that they are not floating around in the
air or the intellect. The body takes them in. They are
brave. The reader and writer meet each other in the
body.” Freya’s memoir, Frederick Manfred: A Daughter
Remembers, was nominated for a Minnesota Book Award
and an Iowa Historical Society award. She lives near
Hudson, WI.
Support the Kay Saunders Memorial New Poet Award
Kay Saunders loved to encourage budding poets of all ages and you may wish to
do the same through her memorial fund established by her late husband, George
Saunders. The fund is called “The Fearsome Foursome” in honor of Kay’s poetry
group with June Zwickey, Helen Fahrbach, and Ellen Kort, all very active
members in WFOP.
Only $2,000 more is needed of the $10,000 amount required for the fund to be self-sustaining.
At the $10,000 amount the fund becomes a permanently endowed fund,
generating at least 5% ($500) annually to support the New Poet Award which is
given each fall.
Contributions to the New Poet Award can be made to the Community
Foundation for the Fox Valley Region, P.O. Box 563, Appleton WI 54912-0563,
or their online page for gifts (please refer “Fearsome Foursome Fund” on bottom
of check or the online designation box).
Thank you for a contribution of any size to nurture these new poets. |
Wisconsin
Poets’ Calendar 2012 Submission Guidelines
Cities and towns are often under-represented when poets
write about Wisconsin, so we have chosen Alleys and
Valleys as the theme for the 2012 calendar. We hope that
you will interpret this theme broadly, but we want to
encourage you to think about the urban areas of Wisconsin,
as well as the rural areas. Poets must be 18 or older and live
in Wisconsin (or have some connection to the state) to
submit.
Submission period is from November
1, 2010 to February 1, 2011. Poems received before or after those
dates will not be considered.
We prefer e-mail submissions; however, we will be happy
to accept snail mail submissions, as well. Send e-mail
submissions with the poems in the body of the e-mail
(please, no attachments) to jjohannes7@gmail.com with
“Calendar Submission” as the subject line, or snail mail your
submission to:
WFOP Calendar
c/o Jeffrey and Joan Wiese Johannes
800 Ver Bunker Avenue
Port Edwards, WI 54469-1126
Please
do not e-mail poems with unique formatting, which may be changed in
cyberspace. We will confirm the receipt of e-mail submissions by e-mail.
Please send a self-addressed stamped postcard if you would like confirmation
of snail-mail arrival. We will acknowledge receipt of your
submission as soon as we receive it. Then we will carefully
read/consider your poems and respond by April 15, 2011.
Please include the following with your submission:
- Contact
information (name, address, e-mail address, phone number)
- Biographical
note of fewer than 50 words. (We may need to edit biographies longer
than three lines.)
- Up to
3 poems
- Maximum
of 32 lines/poem, including including title, stanza breaks and any
epigraph or dedication (shorter is
better)
- Publication
information if previously published
- Single-spaced,
standard font
- We prefer
poems that are not centered on the page. Accepted
poems may need to be right-justified to fit on the Calendar pages;
please indicate if you refuse to allow your poem to be displayed
this way.
We’re
looking forward to reading your work. You can contact us at the e-mail
address above if you have any questions or call us at 715-887-2217.
Thank you in advance for your submissions.
Jeffrey and Joan Wiese Johannes,
2012 Wisconsin Poets' Calendar Editors |
Poetry
Jumps Off the Shelf Announcing
Winners of the 2010 Woodrow Hall Jumpstart Award
Paula Sergi of the Foot of the Lake Poetry Collective
in Fond du Lac won first place and $500.00 to collaborate with
the Women, Infants and Children (WIC) office, the
Association of Commerce, the Fond du Lac Public Library,
the Fond du Lac Arts Council, and Park Ridge Organics to
bring poetry to the farmers’ markets, the library, the
Windhover Center for the Arts and two harvest festivals in
the Fond du Lac area. The finalist was Phil Hansotia of
Ellison Bay who received $250.00 to create “poetry trails”
(poems in display cases mounted on posts) in Newport State
Park, a partnership between the Wallace, Unabridged and
Word Women poetry groups with the Newport Wilderness
Society, Newport State Park, and Sevastapol, Gibraltar and
Southern Door high schools.
Shoshauna
Shy of Woodrow Hall Editions, based in Madison, created the
Woodrow Hall Jumpstart Award, an offshoot of the Poetry Jumps Off the
Shelf initiative, designed to help other Wisconsin poets implement
a project that brings poetry into the eye of the general public in
an unconventional manner.
Learn more about this award and the Poetry Jumps Off the
Shelf program at PoetryJumpsOfftheShelf.com. |
A
Last Will and Testament
|
Pay
Me Forward
when
my time comes
don’t call it my deathbed
let it be named her Bed of Life
celebrate my passing
by gifting my eyes
to someone who’s never
seen a sunset
my heart to a person
who’s known only pain
and the rest of me
to whomever or wherever you choose
scatter my ashes
in a field of Queen Anne’s Lace
and deeply bury my faults and prejudices
sending my soul soaring
with the seagulls
to remember me
deliver a kind word or deed
to someone in need
if you do all this
I will live forever
—Susan
Anderson, Baraboo
|
I
Leave You Trees: for my children
Being
of simple mind and means,
I cannot leave you emeralds or blue chips;
no keys to a condo or a bright red corvette.
Instead,
I leave my land and all its contents:
pines and willows, apple trees and spruce;
a perennial supply of coneflowers and peonies.
I
bequeath you all the thyme and sage
you could ever need; an abundance
of rhubarb and berries and currants.
I
leave you soil, rich in humus,
air, redolent with lilac and lemon balm,
bejeweled with monarchs and honey bees.
I
hand down the stewardship
of all these earthly riches. Keep them safe
for the sake of your children’s children.
—Sue
DeKelver, Brussels |
last
will & testament of the american citizen
<begin
file
receipt of this msg means my organic food network
cell has been compromised
as u know almost all is 4feit 2 credit card costs
of our health care_but as gifts
the following contraband is sealed n a password vault
bhind apt h2o heater
_4 my wife 1c
seeds_non-gmo wheat_4 future children who won t fly
out of employer-owned tenement windows
high on ergot-riddled franken-grain & fda-approved
food dyes
_4 my dghtr 1
tattered copy decl of indep w/ list on back
gov bldgs & amer landmarks_b4 they were renamed
4 their corp sponsors by lapdogs n congress
_4 my son 1
faded picture_grassy fields speckled w/ such cows
as once grazed n open air b4 they were moved inside
2 grow cheaper_like fungus_immobile n the dark
_jointly 1
bk_from my teaching days_thoreau_walden_2 remember
that
once u could hike n woods & plant food_b4
the patriot act
barred such things as dangerous threats 2 public
health
access code_07041776_since companies run schools
grads don t know it anymore
text msg content locked biometric authorization confirmed
february 13 2051
erasure of file by viral sequence
will complete within 20 sec of open
end
file>
—Erik
Richardson, Milwaukee
|
Testament
From the Dark
hot
tallow scalds
wicklight gutters
ink fails
thoughts fracture
the
beast
stirs in its sleep
nostrils twitching
and
I with only
this gibberish
of marks
to bequeath to you....
—Sheryl
Slocum, Milwaukee
Nine
Lives
The
first one I left with the tom in the barn
I wasn’t his kitten; he meant me real harm.
The second I left to the cow in the field
Who stepped on my foot and so crooked it healed.
The third one I left to the jay on the nest
Who pecked out one eye ’cause I was such a pest.
The fourth one I left to the kid with a gun
Who shortened my tail ’cause he thought it was
fun.
The fifth one I left to the cat in the alley
Who tore off my ear and then started a tally.
The sixth one I left to the dog down the street
Who chased me forever—he thought it was neat.
The seventh I left to the mouse with bad kidneys
Who soured my stomach and nearly undid me.
The eighth one I left to a creepy disease
But, then, you found me and cured me with ease.
The ninth one is yours, you’ve offered a home
And now I am settled and will never roam.
—Lorelee
Sienkowski, Packwaukee
Last
Will & Testament
I
had my secrets,
one of which I’ll share:
I never stopped wondering
what I’d lose and when.
But
to you I can grant my deepest wish:
To live with Love,
reckless, patient, courageous Love.
And so at the end of your own life
you can say with peace in your heart,
I close the door gently as I go
and leave Love behind.
May it be so.
—Elizabeth
Keggi, Appleton
Cheerio
Remember
that wave that came over our boat
sweeping me screaming off the slick wet deck
dumping me into the rampaging sea
while you, my captain, yelled what the heck!
It’s
yours.
Remember
that pony you bought for the kids
the one that bucked me five feet in the air
breaking my arm, my glasses, my pride?
You closed on the deal, said the price was fair.
He’s
yours.
I
tried to list everything on legalzoom.com
for fifty-nine bucks and a guarantee
but they wouldn’t take rhyme in exchange for cash
so ta-ta, adios, this one’s on me.
—Susan
Kileen, Watertown
Testament
Take
me apart. Let the wind
Be my body’s executor,
And God be my soul’s.
Scatter
my memory
Among all who remember me,
My love among whom I’ve loved.
No
patent binds,
No copyright holds,
No claim or trademark remains,
Only
you, who read this
Poetry as my witness,
As my witness.
—Thomas
Toerpe, Baileys Harbor
|
Inventory
Enclosed
find my deathbed confession
to larceny, damage, and guile,
accounting for your lost possessions,
(but Buster next door left that pile).
You’ll
find your insoles in the heat vent.
Your coin purse is under some rocks,
and I caused the hole in the pup tent,
(but Buster dug up the blue phlox).
On
Monday I swallowed an earring,
it came out today on the mat.
The dead squirrel was my engineering,
(but Buster tormented the cat).
I
couldn’t resist
velvet Elvis—
ingested, digested, fini.
My actions were certainly callous,
(but Buster chewed up the CD).
If
dogs may take their master’s measure
when answering the heavenly call,
of all of my left behind treasures,
you’re the one I will miss most of all.
—Laurie
Risch, Madison
Last
Will and Testament
To
every creature living here, I leave this 80-acre
farm,
undeveloped in land trust.
to
the woodcock I leave mossy clearings for April
courtship, the
island thicket for nesting
to
the meadowlarks, all remaining fence posts from
which to sound forth your clear-voiced whistle in
spring
to
the bobolinks, the uncut grasses east of the lane
to
the bluebirds, a trail of two dozen nesting boxes
and a responsible monitor
to
the grasshopper sparrows, the bottom limbs of the
white spruce and
the mixed grasses of hickory hill
To
all I leave my gratitude for the never-ending awe
and delight you have given me.
—Judy
Kolosso, Slinger
Last
Will
However
I die
by human foot—or
of a natural way
I
bequeath
my nest
its accoutrements
my egg
my last remains
to cousin Ant Tilley
of the colony
to care for
as naturally she will.
Now—being wholly well
I excrete bodily fluid
confirming my wishes.
—Palmer
R. Haynes, Mount Horeb
My
Last Testament
Lying
here in a white shirt and black suit
On a bed of silk, with a small pillow
Beneath my head. Hearing folk’s salute
My life, glad of the plot by the willow
Tree.
Knowing it weeps not for me
But for you. For if a phone should ring
I am not obliged to answer it.
In a Karaoke bar, I don’t have to sing.
If musical chairs, I can always sit
Out.
But you must go on with the weddings
And funerals. Listen to cousins whose
Memories should rest under the heading
Boring, while yearning to take off your shoes.
Me?
There is only one thing I must do,
Lie in this box, until you are all through.
—Tom
Cullen, Madison
|
|
|
Poems By Our Membership Pages
Theme & Guidelines for Winter 2010 Issue:
Don’t Get Mad, Get Even!
The winter issue of the Museletter Poetry Pages invites
submissions of the poetry of revenge! It’s your chance to
retaliate, vindicate, finally give those rotten scoundrels what
they deserve! (Humor—while certainly not required—is
welcome). The rules:
1. Any form, rhymed or unrhymed.
2. 18-line maximum
3. No profanity (sorry), and no poems about the weather,
please. You can do better than that!
1. Submit no more than ONE POEM PER MEMBER, please.
2. Title of poem, name of poet and home town of poet must appear on the submission itself.
4. Email submissions preferred, either as MS Word attachments or
in the body of the e-mail to: mlt@uwm.edu
6. Snail-mail submissions to: Marilyn Taylor, 2825 E. Newport Ave., Milwaukee, WI 53211. (Poems will be recycled.)
Membership status must be current to be considered
for publication on these pages.
Deadline: Friday,
November 5, 2010 |
|
Lorine Niedecker
Wisconsin Poetry Festival Coming in September
The Friends of Lorine Niedecker are hosting the Lorine
Niedecker Wisconsin Poetry Festival on Friday night
September 24th and Saturday September 25th in Fort
Atkinson, Wisconsin. The goal of the Poetry Festival is to
celebrate Wisconsin poetry.
“Last year was an overwhelming success and we will
continue the momentum,” said Ann Engelman, President of
the Friends of Lorine Niedecker. The Festival offers
opportunities for poets, publishers and those who appreciate
poetry to gather, share, read poetry and raise awareness for
poetry in our culture. “Wisconsin is rich with great literary
history,” said Amy Lutzke, Resource Librarian at the Dwight
Foster Public Library. “This festival is building a poetry
tradition and Fort Atkinson, along the banks of the Rock
River, is the perfect place to host this event. Fort Atkinson is
home to poet Lorine Niedecker, a significant 20th -century
poet. She is known nationally and internationally but has yet
to be widely recognized in her home state. What better place
to gather inspiration than this quiet place where the river
runs through.”
The Festival will include workshops, poetry readings,
presentations, opportunities to meet publishers and pick up
the latest poetry buzz. Two workshops will be held; “Write
Like a Poet: Tricks Poets Can Teach Every Writer” and a
writers workshop on Blackhawk Island at the cabin of
Lorine Niedecker. The Council for Wisconsin Writers
Lorine Niedecker Poetry Award winner, Angela Sorby and
other invited poets will read during an evening event
“Wisconsin Poetry.”
A schedule is now posted to lorineniedecker.org,
or at the Wisconsin Poetry Festival. For more
information about the Poetry Festival, contact Ann
Engelman 920-563-0416 or Amy Lutzke 920-563-7790.
American Haiku
Festival Scheduled
You can write haiku poetry in English. Join haikuists from
the U.S. and Canada for their Second Annual Cradle of
American Haiku Festival, at 2 p.m., Friday, September 10th,
to 1 p.m., Sunday, September 12th, at Foundry Books, 105
Commerce St., in Mineral Point. The festival is open to the
public, and beginning and experienced haikuists are
welcome.
Haiku is a short, Japanese poetic form of usually three
lines and about 17 syllables. It is thoughtful, imagist poetry,
(often inspired by nature), and it captures the moment.
The festival will include several workshops and
presentations on the form and art of haiku/related Japanese
poetic forms, readings of haiku, and Japanese art. This
year’s theme is “Remembering Robert Spiess—His Life and
Work.” Spiess was a longtime haikuist and author, and
former editor of Modern Haiku, an international journal of
haiku and haiku studies.
The festival will also feature an opening reception; a
“Kukai,” a peer-reviewed haiku contest on the theme
“Transitions;” Tai Chi, meditative exercises; a presentation on “Kodo,” Japanese incense; mini-critique sessions with award-winning poets and publishers; a social with cocktails and
Midwest style picnic/tailgate; and a “ginko” walk to observe nature and write haiku. Haikuists may also participate in a sale of
books they’ve authored.
At the festival, The Haiku Society of America will hold its annual national quarterly meeting to which the public is invited.
However, the HSA is not sponsoring the festival.
Southwest Wisconsin is the birthplace of American haiku. Mineral Point is a historic, scenic town of 19th century
architecture, listed in the National Register of Historic Places, located in the region’s hills. It is about a 45-minute drive from
Madison and Dubuque, IA.
The cost of the festival is $30 which includes workshops, all activities, reception, and picnic. For more information, with a
schedule of events and lodging options, contact Charlotte Digregorio, Midwest Regional Coordinator, The Haiku Society of
America, at email cvpress@yahoo.com or by phone at 847-881-2664. |
One Vision:
Art & Poetry Show
“One Vision: A Fusion of Art and Poetry in Lake
Country” brings together fifteen pairs of artists and poets for
a fine art exhibit and poetry reading at 7 p.m. Saturday,
October 16th at the Oconomowoc Arts Center, unveiling the
final results of a summer-long collaboration between the
selected artists and poets. A reception with live music and
refreshments will also be part of the evening’s event, which
is free and open to the public. Doors open at 6:30 p.m. for a
preview and meeting with the artists and poets.
Called “ekphrastic” (that is, art or poetry inspired by other
creative mediums), the project’s goal is for the artists and
poets to interact with each other to create a new expression
of art or poetry from that experience. Poets and artists have
spent the summer viewing/reading each other’s work as they
got to know each other and how the creative process works
in each of their respective mediums. From this exploration, a
poet could write a new poem to a piece of artwork, the artist
create a new piece inspired by a poem, or the two could craft
a whole new expression of art and poetry. Part of the
adventure of ekphrastic art/poetry is to see where it leads
creatively.
“The inspiring effort of collaborating and creating
something new is what matters,” says Cristina Norcross, coeditor
of the project.
Sponsored by the Pewaukee Area Arts Council, this is the
second year for the program, which had a successful debut at
the The Raven Gallery in Pewaukee last year. Long range
plans are to continue the project in order to give many area
artists and poets the opportunity to participate, and to bring
awareness of the diversity of the arts to the community as
part of PAAC’s ongoing mission. A call for submissions will
be announced each winter.
“Artists and poets found working together to be very
enriching last year,” says co-editor Liz Rhodebeck. “There’s
quite an exciting buzz going on this year as well.”
An outgrowth
of the project has been the production of limited edition notecards
featuring the artwork and accompanying poem of each pair; sets will
be available for purchase the evening of the reception. All profit
from the sale of the notecards will support PAAC’s programs and
outreach in the community.
Both the
artwork and poetry will be on exhibition to the public at the OAC through
November. For more information, visit pewaukeearts.org or contact
Liz Rhodebeck at (262) 695-2761. |
In House
Michael
Belongie has initiated a program within the Fellowship to keep members
aware of significant changes taking place for particular members.
This program, In House, will post changes of addresses
and alerts members to that change of address. These
changes may be due to significant changes with longstanding
members’ health or greatly altered circumstances
that we do care to know about between conferences.
We are “a fellowship” and members appreciate our
friend/poet’s whereabouts.
Please e-mail Michael Belongie at poetpow@charter.net
or 1421 Hiawatha Drive, Beaver Dam, WI 53916 – cell
920-210-6073.
|
In
Memoriam |
Shelly
L. Hall
Shelly L. Hall, Ph.D., of Waukesha, Wisconsin, passed
away on Sunday, June 13, at Waukesha Memorial
Hospital, from cancer.
Dr. Hall was born March 2, 1958, in Cleveland,
Ohio, of Curtis C. Hall and Marjorie Campbell Hall. She held a
doctorate in religious studies from the University of Iowa and an
MFA from the Iowa Writer’s Workshop. She taught at
Waukesha’s Carroll University, and for Goddard and Carlton
Colleges and University of Phoenix.
Dr. Hall was well known for her lively poetry. A
member of the Wisconsin Fellowship of Poets, she was
published in several journals and had two books from
Popcorn Press, with a third forthcoming. She also helped
to found local drum circles.
A celebration of her life will be held 6-8 p.m.,
Wednesday, September 8, at Todd Wehr Memorial
Library’s coffee shop at Carroll University, followed by a
gathering at House of Guinness. Donations in her honor
can be sent to Waukesha’s Order of Julian of Norwich.
Even fire needs a place
to rest, out of
the killing rain
the frenzying breeze
the obligation
to consume whatever
can be consumed
—Shelly
L. Hall
|
Keep
Your Dues Current
Please remember that
membership dues are payable by January first of every year. We no longer
offer a "grace period" after nonpayment of dues. Members must
be current with their dues to enjoy membership benefits such as:
- the opportunity
to be published in the Museletter's Poetry Page
- listing
of recent publications in the Museletter
- free
chapbook ad, and reduced advertising rates for other ads
in the Museletter
- eligibility
to enter the Triad poetry contest
- reduced
entry fee for the Muse contest
- free
member web page on the Fellowship's web site
- and,
of course, the Museletter itself.
Don't Forget the New Dues
Option
Members may pay $100 for a five-year membership.
That's five years worth of membership for four years' dues.
Please take advantage of this savings. The Fellowship also saves money
by reduced mailing cost for all those payment reminders and lapsed memberships.
Would you like to read your Museletter online?
As many of you already know (Q.E.D.), the WFOP’s Museletter is available on our website. You can read it right on the site or you can choose to print a hard copy of the Museletter. To print a copy of the Museletter, go to the top of the Museletter page (this one)and then click on the “printable .pdf of current issue” in the upper right corner. If you would like to discontinue receiving the Museletter by mail and get your newsletter online instead, please notify Chris Falk (contact information near top of page). You will be notified by e-mail when the Museletter is available for viewing on the website (right here!). |
See print Museletter or .pdf for Financial Report |
Museletter
Advertising Rates
Books
for Sale in Poetry Publications
section..................... $5.00 per listing
(This price is not discounted to Members. Discount is built into
the one free listing per book, per year)
Business
Card ....... $25.00
Quarter Page ........ $50.00
Half Page.............. $100.00
Prices
are for camera-ready advertisements. Specialty designs or advertisement
setups at a price to be determined. Contact Museletter editor
if interested in purchasing advertisements. |
Conference
Rotation Schedule
|
|
 |
"Fellowship" T-Shirts,
Sweatshirts & Mugs Available
Sport your Fellowship membership proudly, and support us as well! The WFOP
logo now graces T-shirts and coffee mugs. The "T" is
a basic-white model, silkscreened front and back in black. L and XL for
$10; XXL costs $11. The mug, at $5, is white ceramic with fired-on black printing. To purchase,
contact membership chair Gillian Nevers at (608) 255-5080 or nevers@wisc.edu. |
|
Discounted 2010 Wisconsin Poets’ Calendars Available
There are a limited number of 2010 Wisconsin Poets’ Calendars
available for the reduced price of $5.00. This price includes
shipping and handling. There are some older issues available
at the reduced price of $5.00 which also includes shipping
and handling. Contact Michael Farmer for availability:
Michael Farmer, Business Manager
PO Box 555
Baileys
Harbor, WI 54202-0555
Phone: (920) 839-2191
E-mail: mfarmer1876@gmail.com
|
|