To steer at thirty-seven
miles per hour with the
supposition, a knowledge
trusting others won’t be turning
too; to turn at fifty with
a foot on the break; to glean
the car that turns left on a red,
or the one that honks and hides
somewhere behind: how not to see
these signings for passage. How
not to see, despite the dark,
the limit: a velvet curtain,
for the bathroom, the one friends
had gone through. A girl whips it
shut, a man afflicts my wrist
and arm and lifts me away.
How not to see, to recollect
that this is what I’m given:
boy material; boy, materials.
I forget that I am this.
How not to remember, years
ago, when the roof was on
fire. I was carried down
the stairs with my toy sword
and while we turned my toy sword
fell on the stairs. How not to see
the fumes curling. My toy sword
was returned by a fire-
fighter. The golden handle
looked dim; the fire tarnished.
Jesús Marcelo is from Monterrey, México, and is currently living and writing in Appleton, Wisconsin. He has recently published poetry in fsm.